The Two of Swords – A One Page Guide

The blindfolded swordswoman of the Two of Swords can only be a metaphor, but for what? Why is she blindfolded? Why two swords? Why is the composition symmetrical except for the Moon? I believe that Waite wishes us to perceive the message of the RWS Two of Swords as that the balance of two types of justice, divine and human, manifests itself in peace and harmony, even though both types of justice can countenance cruelty. But if inside oneself and one’s circle of friends we maintain balance and harmony, such a balance can be a “beneficent force.”

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The Four of Swords – A One Page Guide

The Four of Swords’ depiction of the tomb of a Knight outwardly conveys soldiering and death. Yet if we look at the upper left, we see a scene that is likely to be an Annunciation scene: a scene of birth. The astrological influences include strong life-giving entities in Venus and The Empress. The female deities, then, are key to understanding the Four of Swords. The Transit of Venus is a celestial event at which time Venus changes identity from evening star to morning star, from preceding the Sun to following the Sun. Venus’ movement is the metaphor for the Divine Feminine rising–Aphrodite rising from the sea at Cypress. Waite’s divinatory meanings communicate a fork in the road, a bi-directional path for his soldier. He moves forward by falling behind; by putting down his weapon so that he can pray. In Chesed, the qabalistic influence, we see the “mechanics” of the process. Chesed can be said to represent another “bi-directional” arrangement: a contract between God and the people. This is the “piety of people towards God, as well as grace, favor or mercy of God towards people.” The card is a “snapshot” of two vectors in the “lives” of the dead Knight. And the transit of Venus is a metaphor by which we can depict two opposing vectors in the same snapshot; or two opposing divinatory meanings.

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