Chesed – IsleVue

Four of Pentacles Feature Image series II

4 of Pentacles A One Page Guide, Series 2

June 21, 2021June 21, 2021 John Iacovelli 0 Comments Capricorn, Chesed, Fours, One Page Guide, Pentacles, Sun

Capricorn has multiple origin myths. One of them is the story of Pricus, a sea-goat deity, goat above, fish below. Pricus may show us that in the Four of Pentacles, rather than representing wealth and greed, the illustration may portray the succession of generations. The core of the Pricus story is the heritage that parents pass onto children, and the search by the children for differentiation. Each generation modifies, adds and wields the transformed heritage as their Earthly dominion… until the next generation. The Order of the Golden Dawn called this card “Earthly Power.” The repudiation of the parents fuels the metaphor’s pathos. The story of Pricus, the time traveling goat, may provide us with an insight into Éliphas Lévi’s famously insightful quote about tarot, that “an imprisoned person with no other book than the Tarot, if he knew how to use it, could in a few years acquire universal knowledge, and would be able to speak on all subjects with unequaled learning and inexhaustible eloquence.”

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The Four of Wands – A One Page Guide

January 13, 2020February 7, 2020 John Iacovelli Aries, Chesed, Fire, Fours, One Page Guide, Wands

The Four of Wands is pleasant but unfocused and visually empty. What is its most important part? This unusual lack of focus renders the festival distant and joyless. Fortunately, by studying Waite’s divinatory meanings (and a couple of online encyclopedias), we can discover the joy. This festival has an open bar. And what a bar! This is not just any country fête—it is one sacred to Venus. Using an odd device, Waite throws in a reference to “harvest-home,” a very English harvest festival, and by doing so, refers back to Venus. It is a festival of wine and fertility. The Romans called it “Vinalia urbana,” but we can simply enjoy it (accompanied by a glass of “sacramental” wine) as a celebration of sacred and profane love, and the fertility of the earth. It is the Primavera of Botticelli, as rendered by Colman Smith, and bottled by A.E. Waite.

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The Four of Cups – A One Page Guide

November 10, 2019February 7, 2020 John Iacovelli Cancer, Chesed, Cups, Fours, One Page Guide, Water

The Four of Cups is noteworthy in the far-greater-than-usual distance between Waite and the Golden Dawn group. And that is to say nothing as to how far away from the qualities of Chesed, the qabalistic influence; clearly it is the widest departure from the Sephirot we’ve seen so far. Waite seems to have gone rogue! He seems to focus on the Moon, which rules the decan and is the planetary association for Cancer, the Zodiac sign for the decan. The Moon’s light is reflected and illusory; it is the opposite of “real” light, direct from the Sun. Waite, in his description for this card, says things seen in this illusory light appear as a “fairy gift.” We might describe the young man’s attitude is such that anything less then “the real thing” is unsatisfactory. There is a sense of profound alienation. It appears to me that Waite is setting up a contrast between the young man and the High Priestess, the major arcanum associated with the Moon. If you do not have the secrets, mystery and sacred law, you are just an empty vessel to whom spirituality is like an illusion of an empty cup. I would suggest that a modern interpretation is that it signifies alienation from the materialistic world. But it doesn’t suggest the antidote—going out into the spiritual sunlight—but I don’t think Waite meant it to. Frankly I prefer the “enjoy it while you can” message of the Golden Dawn group for this card, for that is something that we can do in the companionship of real world friends and family.

Tarot

The Four of Swords – A One Page Guide

September 2, 2019February 7, 2020 John Iacovelli Air, Chesed, Fours, Libra, One Page Guide, Swords, Venus

The Four of Swords’ depiction of the tomb of a Knight outwardly conveys soldiering and death. Yet if we look at the upper left, we see a scene that is likely to be an Annunciation scene: a scene of birth. The astrological influences include strong life-giving entities in Venus and The Empress. The female deities, then, are key to understanding the Four of Swords. The Transit of Venus is a celestial event at which time Venus changes identity from evening star to morning star, from preceding the Sun to following the Sun. Venus’ movement is the metaphor for the Divine Feminine rising–Aphrodite rising from the sea at Cypress. Waite’s divinatory meanings communicate a fork in the road, a bi-directional path for his soldier. He moves forward by falling behind; by putting down his weapon so that he can pray. In Chesed, the qabalistic influence, we see the “mechanics” of the process. Chesed can be said to represent another “bi-directional” arrangement: a contract between God and the people. This is the “piety of people towards God, as well as grace, favor or mercy of God towards people.” The card is a “snapshot” of two vectors in the “lives” of the dead Knight. And the transit of Venus is a metaphor by which we can depict two opposing vectors in the same snapshot; or two opposing divinatory meanings.

Tarot

The Four of Pentacles – A One Page Guide

August 20, 2019February 7, 2020 John Iacovelli Capricorn, Chesed, Earth, Fours, One Page Guide, Pentacles

The Four of Pentacles is one of those minor arcana cards with a short, though not particularly sweet meaning. The little king looks like a greedy little so-and-so, and that is pretty much the message. But there are a number of things we can note. One of them is that the illustration is, once again, in line with the astrological, elemental and qabalistic sources according to its position in the wheel, though the qabalistic source is given a bit of short shrift in this one. Capricorn and Saturn drive the emotional “tone” of the illustration. Capricorn is sometimes referred to as “the goat of fear,” and the Capricorn personality sometimes takes their natural strength of will to a rigid extreme. Saturn, of course, tended to eat his children. Earth merely provides the link to the very materialistic nature of this card. The point of interest is Chesed, which should be a force of love and charity, but in this case is so outweighed by the other, more negative aspects that all that remains of its “gift” are the divinatory meanings of legacy and inheritance. Our little king, “cleaving to that which one has,” his coins, becomes the personification of “You want this? You’ll have to pry it out of my cold, dead hands.”

Tarot Fundamentals, though more expensive than most alternatives, is my recommendation as the single best book for beginners. It has the grounding you need in tarot history; it lists the astrological, elemental and qabalistic influences for every card; it provides excellent "how-to" essays on approaches such as intuition and the journey of the fool; and it provides illustrations of the renderings of eight decks for every card. The primary authors have continuing relationships with the Tarosophy Tarot Association, and this book is meant to be an encyclopedic volume of a good portion of their teachings.

Tarot: History, Symbolism and Divination is the best history of the origin of tarot, bar none. The first two thirds of the book should be required reading for anyone who wishes to even begin to truly understand the major arcana. Robert M. Place does have his "hobby-horse"—alchemy—and he gives far too little emphasis to the Golden Dawn. But his explanation of how the symbols in the majors got there and what they mean is unparalleled. The last third of the book is a description of the RWS deck.

The Lo Scarabeo Tarot is the "go-to" deck I use when I have my own questions. (I use RWS for other people). It's an attempt to reconcile the Golden Dawn, Waite/Colman Smith and Thoth. It doesn't do it perfectly. It's gorgeous. It's not for everybody. But if Tarot "theory" is your cup of tea, it may be a good choice for you, too.

To be honest, Secrets of the Waite-Smith Tarot is more "cute" and "fun" than insightful, in my opinion. But it is great fun. It visually relates Pamela Coleman Smith's theatre work to the deck she drew.